"Turangalila Symphony (1997 - Remaster): Developpement de l'amour" by Olivier Messiaen, André Previn, London Symphony Orchestra was released on May 30, 2008. Turangalila Symphony (1997 - Remaster): Developpement de l'amour appears to be safe for all ages as it is not explicit. The track order of this song in Olivier Messiaen, Messiaen: Turangalîla-Symphonie & Quatuor pour la fin du temps's "Messiaen: Turangalîla-Symphonie & Quatuor pour la fin du temps" album is number 8 out of 24. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Turangalila Symphony (1997 - Remaster): Developpement de l'amour is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalila Symphony (1997 - Remaster): Developpement de l'amour by Olivier Messiaen, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
3 Places in New England: No. 1 The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish | A Minor | 0 | 8A | 75 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Saint Francois D'Assise / Premier Acte: "J'ai peur, sur la route" - 2e strophe (Frère Léon, Saint Francois) | Olivier Messiaen, Urban Malmberg, José van Dam, Hallé, Kent Nagano | D♭ Major | 2 | 3B | 169 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 1. L'istesso tempo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 37 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM | ||
Messiaen : Vingt regards sur l'enfant Jésus : I Regard du Père | Olivier Messiaen, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 77 BPM | ||
Préludes / Book 1, L. 117: VI. Des pas sur la neige | Claude Debussy, Arturo Benedetti Michelangeli | D Minor | 0 | 7A | 75 BPM |
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