"Leclair: Scylla et Glaucus, Op. 11, Act 3: "Ta gloire dans ces lieux t'appelle" (Scylla)" by Jean-Marie Leclair, John Eliot Gardiner, Donna Brown, English Baroque Soloists was released on February 24, 2023. The duration of Leclair: Scylla et Glaucus, Op. 11, Act 3: "Ta gloire dans ces lieux t'appelle" (Scylla) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Leclair: Scylla et Glaucus, Op. 11, Act 3: "Ta gloire dans ces lieux t'appelle" (Scylla)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Marie Leclair, Donna Brown, Howard Crook, English Baroque Soloists, John Eliot Gardiner's "Leclair: Scylla et Glaucus, Op. 11" album is number 65 out of 98. On top of that, France appears to be the country where this track was created. Leclair: Scylla et Glaucus, Op. 11, Act 3: "Ta gloire dans ces lieux t'appelle" (Scylla) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leclair: Scylla et Glaucus, Op. 11, Act 3: "Ta gloire dans ces lieux t'appelle" (Scylla) by Jean-Marie Leclair, John Eliot Gardiner, Donna Brown, English Baroque Soloists to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 2 | 2B | 103 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM |
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