"Piano Sonata No. 5 in C Major, Op. 38: I. Allegro tranquillo" by Sergei Prokofiev, Matti Raekallio was released on January 1, 1999. Piano Sonata No. 5 in C Major, Op. 38: I. Allegro tranquillo is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 46 in the song's album "Prokofiev, S.: Piano Sonatas (Complete) / Visions Fugitives". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Finland. Piano Sonata No. 5 in C Major, Op. 38: I. Allegro tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 5 in C Major, Op. 38: I. Allegro tranquillo by Sergei Prokofiev, Matti Raekallio having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
The Rite of Spring, Part 2: VI. Sacrificial Dance | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 5 | 7A | 139 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM |
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