Francesco Cavalli, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: "Ma voi che piu tardate, inclite Dee?" (Cintia) - "O Gallia fortunata!" (Coro degl'Italiani)' came out on September 3, 2015. The duration of Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: "Ma voi che piu tardate, inclite Dee?" (Cintia) - "O Gallia fortunata!" (Coro degl'Italiani) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: "Ma voi che piu tardate, inclite Dee?" (Cintia) - "O Gallia fortunata!" (Coro degl'Italiani)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 27 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: "Ma voi che piu tardate, inclite Dee?" (Cintia) - "O Gallia fortunata!" (Coro degl'Italiani) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: "Ma voi che piu tardate, inclite Dee?" (Cintia) - "O Gallia fortunata!" (Coro degl'Italiani) by Francesco Cavalli, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" | Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 2 | 3B | 142 BPM | ||
La Terpsichore: V. Première sicilienne. Rondeau | Jean-Féry Rebel, Jordi Savall | D♭ Major | 1 | 3B | 84 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Verginella io morir vo'" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | D Minor | 2 | 7A | 119 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM |
Section: 0.6027700901031494
End: 0.6065628528594971