Hildegard von Bingen, Canty, William Taylor's 'Cum erubuerint' had a release date set for January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Canty's "Hildegard of Bingen: Vocal Ensemble Music" album is number 10 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Cum erubuerint's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cum erubuerint by Hildegard von Bingen, Canty, William Taylor to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantigas de Santa Maria, No. 322: A Virgen, Que de Deus Madre | Alfonso X El Sabio, Esther Lamandier | E♭ Minor | 0 | 2A | 137 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Nowadays Forces Heavenly | The Male Choir of Valaam Singing Culture Institute | F Minor | 1 | 4A | 137 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Viderunt omnes No. 2: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Léonin, Tonus Peregrinus, Antony Pitts | F Minor | 1 | 4A | 134 BPM | ||
Amour m'a le cuer mis en tel martire (ballade) | Anthonello de Caserta, Gérard Lesne, Alla Francesca | B♭ Minor | 0 | 3A | 80 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Stabat Mater, Op. 45: I. Stabat Mater | Manuel Ruiz Del Corral, Varanus Ensemble | F Major | 1 | 7B | 82 BPM | ||
Introït "Dignus est Agnus" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F♯ Major | 1 | 2B | 126 BPM |