Jean-Henri d'Anglebert, Francesco Cera made "Suite No. 3 in D Minor: III. Courante" available on August 8, 2014. With Suite No. 3 in D Minor: III. Courante being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 65 in D'Anglebert: Complete Harpsichord Music by Jean-Henri d'Anglebert, Francesco Cera. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Suite No. 3 in D Minor: III. Courante is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite No. 3 in D Minor: III. Courante by Jean-Henri d'Anglebert, Francesco Cera is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 4 in D Major: Gigue | Jean-Henri d'Anglebert, Barbara Maria Willi | D♭ Major | 3 | 3B | 132 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Trio Sonata in F Major, TWV 42:F6: II. Largo | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Minor | 4 | 6A | 120 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Major | 4 | 2B | 129 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
Violin Sonata in A Major, Op. 5 No. 9 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): IV. Tempo di Gavotta (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Major | 3 | 2B | 111 BPM | ||
Pieces in D Minor: IV. Contredance La Furstemberg | Henry Purcell, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM |
Section: 0.4954409599304199
End: 0.5000147819519043