"Vier Galgenlieder, Op.51b (1960): I. Das grosse Lalula" by Erik Bergman, Paul Hillier, Estonian Philharmonic Chamber Choir was released on November 7, 2005. With Vier Galgenlieder, Op.51b (1960): I. Das grosse Lalula being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 15 in Baltic Voices 3 by Paul Hillier, Estonian Philharmonic Chamber Choir. In terms of popularity, Vier Galgenlieder, Op.51b (1960): I. Das grosse Lalula is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vier Galgenlieder, Op.51b (1960): I. Das grosse Lalula by Erik Bergman, Paul Hillier, Estonian Philharmonic Chamber Choir is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): XIII. Better is Peace | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
De profundis clamavi | Piotr Janczak, Cantores Sancti Nicolai, Justyna Hanusiak | A Major | 1 | 11B | 79 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM | ||
Champagnegaloppen | Hans Christian Lumbye, Erik Bøgh, Den Norske Studentersangforening, Marit Tøndel Bodsberg | C Major | 3 | 8B | 135 BPM | ||
O Ecclesia, BN 64 | Hildegard von Bingen, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Pavane de la tromba hollandica | Maurice of Hesse-Kassel, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 74 BPM | ||
3 Körvisor: No. 2, I seraillets have | Wilhelm Stenhammar, Ars Nova Copenhagen, Paul Hillier | D Major | 0 | 10B | 78 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM |
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