"Mass for the Restoration of St. Luke in the Fields: Gloria" by Charles Wuorinen, The New York Virtuoso Singers, Curtis Macomber, James Pugh, Joseph Alessi, David Taylor, Harold Chaney was released on 2004. Mass for the Restoration of St. Luke in the Fields: Gloria is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Charles Wuorinen, Minneosta Orchestra & Chorale; Edo de Waart, Minneosta Chorale, Minneosta Orchestra, Edo de Waart's "Genesis" album is number 10 out of 14. In terms of popularity, Mass for the Restoration of St. Luke in the Fields: Gloria is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass for the Restoration of St. Luke in the Fields: Gloria by Charles Wuorinen, The New York Virtuoso Singers, Curtis Macomber, James Pugh, Joseph Alessi, David Taylor, Harold Chaney to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, L. 137: I. Pastorale - Lento, dolce rubato | Claude Debussy, Bertrand Chamayou | F Major | 0 | 7B | 80 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Act I, Scene 9: The Floating Gardens | Charles Wuorinen, James Fenton, Boston Modern Orchestra Project, Gil Rose | C Major | 2 | 8B | 94 BPM | ||
Chinese Puzzle | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Major | 0 | 9B | 108 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Symphony No. 4 "Los Angeles": 3. Insistentemente. Con intimo sentimento Coda. Deciso | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM |
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