"Symphony No. 4 "Los Angeles": 3. Insistentemente. Con intimo sentimento Coda. Deciso" by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste had its release date on April 20, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Arvo Pärt: The Symphonies by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Symphony No. 4 "Los Angeles": 3. Insistentemente. Con intimo sentimento Coda. Deciso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 "Los Angeles": 3. Insistentemente. Con intimo sentimento Coda. Deciso by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Concord | Benjamin Britten, Matthew Barley | B♭ Major | 0 | 6B | 167 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
Como cierva sedienta: IV | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | C Minor | 2 | 5A | 74 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Danse sacrée et danse profane, L. 103: I. Danse sacrée | Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez | F Major | 0 | 7B | 110 BPM | ||
Variationen zur Gesundung von Arinuschka | Arvo Pärt, Anna Gourari | A Minor | 0 | 8A | 133 BPM | ||
Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM |