"Symphony No. 7, "Angel of Light": IV. Pesante - Cantabile" by Einojuhani Rautavaara, Lahti Symphony Orchestra, Osmo Vänskä was released on August 31, 1999. Since Symphony No. 7, "Angel of Light": IV. Pesante - Cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Rautavaara: Symphony No. 7, Angel of Light / Dances With Winds, Op. 69 / Cantus Arcticus, Op. 61". In this album, this song's track order is #4. Symphony No. 7, "Angel of Light": IV. Pesante - Cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7, "Angel of Light": IV. Pesante - Cantabile by Einojuhani Rautavaara, Lahti Symphony Orchestra, Osmo Vänskä having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
HFISX | KNOXVILLETRACKZ | D♭ Major | 0 | 3B | 172 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Concerto in modo misolidio, P. 145: Lento | Ottorino Respighi, Konstantin Scherbakov, Slovak Radio Symphony Orchestra, Howard Griffiths | B♭ Minor | 0 | 3A | 74 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Verklärte Nacht, Op. 4: Adagio (Takt 229) | Arnold Schoenberg, Orpheus Chamber Orchestra | C Major | 3 | 8B | 168 BPM |
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