"Carmen Suite (After Bizet's WD 31): VII. Intermezzo II [Live]" by Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons was released on January 3, 2020. With Carmen Suite (After Bizet's WD 31): VII. Intermezzo II [Live] being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Rodion Shchedrin: Carmen Suite – Respighi: Pini di Roma (Live)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Carmen Suite (After Bizet's WD 31): VII. Intermezzo II [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Suite (After Bizet's WD 31): VII. Intermezzo II [Live] by Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Carmen Ballet Suite (after Bizet): V. Carmen's Entrance and Habanera | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 1 | 10B | 108 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Carmen Suite (based on Bizet Opera): Carmen Suite: II. Dance | Rodion Shchedrin, Budapest Philharmonic Orchestra, Rico Saccani | B♭ Major | 2 | 6B | 120 BPM | ||
The Sealed Angel: III. L’istesso tempo - Sostenuto assai | Rodion Shchedrin, Александр Голышев, Лолита Семенина, Татьяна Жданова, Aleksey Alekseyev, Владимир Минин, Московский камерный хор, Государственный академический русский хор СССР | D Minor | 0 | 7A | 134 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Gayane Suite No. 2: V. Lullaby | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Minor | 1 | 6A | 83 BPM |
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