"Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré" by Olivier Messiaen, Alison Balsom, Guy Barker Orchestra, Tim Redmond was released on September 8, 2014. The duration of Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Paris (SD)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré by Olivier Messiaen, Alison Balsom, Guy Barker Orchestra, Tim Redmond having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
3 Pieces, Op. 2: Etude Op. 2, No. 1 | Alexander Scriabin, Alexander Paley | F♯ Major | 2 | 2B | 110 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Saint Francois D'Assise / Premier Acte: "Loué sois-tu, mon Seigneur, pour soeur notre mère la " | Olivier Messiaen, José van Dam, Hallé, Kent Nagano, Jeanne Loriod | D Major | 2 | 10B | 94 BPM | ||
Theme et Variations | Lili Boulanger, Emile Naoumoff | A♭ Major | 0 | 4B | 71 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM |
Section: 0.6031138896942139
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