"Mass No. 6 in E-Flat Major, D. 950: III. Credo" by Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Benita Valente, Marietta Simpson, Glenn Siebert, Jon Humphrey, Myron Myers was released on January 1, 1990. Mass No. 6 in E-Flat Major, D. 950: III. Credo appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Schubert: Mass No. 2 in G Major, D. 167 & Mass No. 6 in E-Flat Major, D. 950". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Mass No. 6 in E-Flat Major, D. 950: III. Credo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass No. 6 in E-Flat Major, D. 950: III. Credo by Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Benita Valente, Marietta Simpson, Glenn Siebert, Jon Humphrey, Myron Myers having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Drei Klavierstücke, D946: III. Allegro | Franz Schubert, Fabian Müller | A Major | 1 | 11B | 87 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Valses sentimentales, Op. 50, D.779: No. 7 in G Minor - No. 9 in A Minor - No. 10 in G Major - No. 11 in G Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM |
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