"Turandot / Act III: "Nessun dorma"" by Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus was released on January 1, 1993. The duration of Turandot / Act III: "Nessun dorma" is about 3 minutes long, at 3:27. Based on our data, "Turandot / Act III: "Nessun dorma"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giacomo Puccini, Thomas Hampson, Leonard Bernstein, Giuseppe Sinopoli, Herbert von Karajan, Roberto Abbado, Orchestra dell'Accademia Nazionale di Santa Cecilia, Wiener Philharmoniker, Philharmonia Orchestra, Orchestra Del Gran Teatro La Fenice, Jerry Hadley's "Mad About Puccini" album is number 1 out of 15. On top of that, Germany appears to be the country where this track was created. Turandot / Act III: "Nessun dorma" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turandot / Act III: "Nessun dorma" by Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
La Bohème: Quando m'en vò' | Giacomo Puccini, Kiri Te Kanawa, Sir John Pritchard, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
Caro mio ben | Tomasso Giordani, Cecilia Bartoli, György Fischer | E♭ Major | 0 | 5B | 74 BPM |
Section: 0.7548015117645264
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