"Auf den Flügeln des Gesanges, Op. 34, No. 2 (Arr. for Cello and Orchestra)" by Felix Mendelssohn, Jan Vogler, Helmut Branny was released on June 21, 2010. With Auf den Flügeln des Gesanges, Op. 34, No. 2 (Arr. for Cello and Orchestra) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jan Vogler's "My Tunes Vol. 2" album is number 3 out of 14. Auf den Flügeln des Gesanges, Op. 34, No. 2 (Arr. for Cello and Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Auf den Flügeln des Gesanges, Op. 34, No. 2 (Arr. for Cello and Orchestra) by Felix Mendelssohn, Jan Vogler, Helmut Branny to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Concerto for Strings in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Berliner Barock Solisten, Rainer Kussmaul | G Minor | 2 | 6A | 120 BPM | ||
Oboe Concerto in A Minor: I. Adagio | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 1 | 8A | 81 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Moon River (Arr. for Celllo and Guitar) | Henry Mancini, Jan Vogler | G Major | 2 | 9B | 175 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
God Save the King (Arr. for Cello & Piano) | Traditional, Steven Isserlis, Connie Shih | D Major | 0 | 10B | 65 BPM | ||
Carmen Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D♭ Major | 1 | 3B | 115 BPM |
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