"Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio" by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek was released on February 4, 1997. The duration of Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani's "Geminiani: Concerti Grossi, Vol. 1" album is number 29 out of 38. Based on our statistics, Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe d'amore, Strings and Continuo in A: 2. Affettuoso | Antonio Lotti, Heinz Holliger, I Musici | E Major | 1 | 12B | 82 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Harpsichord Concerto in D Major, WVC:XIII:72: III. Vivace | Carl Heinrich Graun, Philippe Grisvard, Ensemble Diderot, Johannes Pramsohler | D♭ Major | 3 | 3B | 141 BPM | ||
Concerto grosso after Corelli's Violin Sonata, Op. 5, No. 3: III. Adagio | Francesco Geminiani, Concerto Köln | A♭ Minor | 0 | 1A | 122 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 127 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM |
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