"Orpheus: Toccata" by Carl Orff, Raymond Wolansky, Ingeborg Bremert, Lucretia West, Ernst Wiemann, Otto Arneth, South German Radio Choir, Stuttgart Radio Symphony Orchestra, Ferdinand Leitner was released on September 24, 2013. The duration of Orpheus: Toccata is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Orpheus: Toccata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Orff, Ferdinand Leitner's "Monteverdi & Orff: L'Orfeo (Orpheus)" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Orpheus: Toccata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orpheus: Toccata by Carl Orff, Raymond Wolansky, Ingeborg Bremert, Lucretia West, Ernst Wiemann, Otto Arneth, South German Radio Choir, Stuttgart Radio Symphony Orchestra, Ferdinand Leitner to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Speaking Unto Nations (Beethoven Symphony no 7 - II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | E Minor | 0 | 9A | 83 BPM | ||
Carmina Burana: Tempus est iocundum | Carl Orff, Evelyn Mandac, Sherrill Milnes, Seiji Ozawa, Katherine Edmonds Pusztai | A♭ Major | 1 | 4B | 71 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IV. Tanz: Uf dem anger (Dance: On the lawn) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | C Major | 2 | 8B | 137 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |
Section: 0.8214497566223145
End: 0.825991153717041