"Sota un cirerer florit" by José Carreras was released on 2006. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "T'estim I T'estimaré". In this album, this song's track order is #5. Based on our statistics, Sota un cirerer florit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sota un cirerer florit by José Carreras having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
Les Pêcheurs de Perles, Act I: "Au fond du temple saint" | Georges Bizet, David Hobson, Teddy Tahu Rhodes, Thomas Woods, Sinfonia Australis | E♭ Major | 2 | 5B | 102 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
El Barberillo de Lavapiés: "Canción de Paloma" | Teresa Berganza | A Major | 5 | 11B | 144 BPM | ||
Nessun dorma!...from Turandot - Vocal | Giacomo Puccini, José Carreras, Lorin Maazel | B♭ Minor | 1 | 3A | 112 BPM | ||
Carmen / Act 2: Duo: "Je vais danser en votre honneur" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 64 BPM | ||
Un Ballo In Maschera: "Di Tu Si Fidele" | José Carreras | E♭ Major | 3 | 5B | 159 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Aprile (Live) | Francesco Paolo Tosti, José Carreras, Edoardo Muller | D Major | 2 | 10B | 112 BPM |
Section: 1.0823299884796143
End: 1.0860800743103027