On May 17, 1991, the song "El Barberillo de Lavapiés: "Canción de Paloma"" was released by Teresa Berganza. The duration of El Barberillo de Lavapiés: "Canción de Paloma" is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. El Barberillo de Lavapiés: "Canción de Paloma"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 24 Grandes Éxitos de Zarzuela, Vol. 1, so we believe that "El Barberillo de Lavapiés: "Canción de Paloma"" is a single. Based on our statistics, El Barberillo de Lavapiés: "Canción de Paloma"'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of El Barberillo de Lavapiés: "Canción de Paloma" by Teresa Berganza is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
Soldado de Napoles | Orquesta Y Coros Montilla | A Minor | 3 | 8A | 126 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
Poema En Forma De Canciones (7-11): Cantares | Teresa Berganza, Juan Antonio Alvares Parejo | C Minor | 0 | 5A | 74 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
El Barbero de Sevilla: "Una Voce poco fa" | Manuel Ausensi, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov | E Major | 2 | 12B | 129 BPM | ||
Los Gavilanes: "Final acto 2º: Ya los tamborileros tocando" | Coro Cantores de Madrid, Tony Rosado, Teresa Berganza, Manuel Ausensi, Carlos Munguia | A♭ Major | 3 | 4B | 129 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM |
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