Coro Cantores de Madrid, Tony Rosado, Teresa Berganza, Manuel Ausensi, Carlos Munguia's 'Los Gavilanes: "Final acto 2º: Ya los tamborileros tocando"' came out on May 15, 2006. Los Gavilanes: "Final acto 2º: Ya los tamborileros tocando" is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Various Artists's "La Zarzuela: Los Gavilanes" album is number 11 out of 14. Based on our statistics, Los Gavilanes: "Final acto 2º: Ya los tamborileros tocando"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Los Gavilanes: "Final acto 2º: Ya los tamborileros tocando" by Coro Cantores de Madrid, Tony Rosado, Teresa Berganza, Manuel Ausensi, Carlos Munguia to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Cabo Primero: Ah!!...Se puede pasar?.... | Coro Cantores de Madrid, Tony Rosado, Carlos S. Luque, Gran Orquesta Sinfonica, Gerardo Gil, Ataúlfo Argenta | G Major | 2 | 9B | 75 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM | ||
L’Entrá de la Murta | Banda Primitiva de Llíria | E♭ Major | 1 | 5B | 86 BPM | ||
El Cabo Primero: Romanza | Coro Cantores de Madrid, Tony Rosado, Carlos S. Luque, Gran Orquesta Sinfonica, Gerardo Gil, Ataúlfo Argenta | A Major | 0 | 11B | 70 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | ||
La Pasión de Cristo, Capítulo 5, Del Pretorio al Gólgota: Coronación de Espinas / Ecce Homo / Sentencia / El Cortejo del Suplicio / Encuentro Con Su Madre / Simón Cirineo 7 | Félix Acaso, Angeles María Baltanas, José María Cordero, María de los A. Herranz, Francisco Sanchez, Banda del Batallón del Ministerio del Ejército, Coro Polifonico | D♭ Major | 1 | 3B | 91 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Los Gavilanes: "Tocad, tamborileros" | Coro Cantores de Madrid, Tony Rosado | C Major | 3 | 8B | 94 BPM | ||
Puccini: Gianni Schicchi: "Povero Buoso!" (Rinuccio, Zita, Gherardo, Nella, Betto, Simone, Marco, La Ciesca, Gherardino) | Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Tito Gobbi, Victoria de los Ángeles, Anna Maria Canali, Claudio Cornoldi, Saturno Meletti, Fernando Valentini, Lidia Marimpietri, Carlo Del Monte, Giuliana Raymondi, Alfredo Marceneiro, Paolo Montarsolo, Adelio Zagonara | A Major | 2 | 11B | 76 BPM |
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