"Vespers for a New Dark Age: VI. Interlude 2" by Missy Mazzoli, Victoire, Glenn Kotche was released on March 31, 2015. The duration of Vespers for a New Dark Age: VI. Interlude 2 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Vespers for a New Dark Age: VI. Interlude 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 6 out of 9. On top of that, United States appears to be the country where this track was created. Vespers for a New Dark Age: VI. Interlude 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: VI. Interlude 2 by Missy Mazzoli, Victoire, Glenn Kotche to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Primary Colours | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | F Minor | 2 | 4A | 104 BPM | ||
Halo Of Honey | Hilary Hahn, Hauschka | A Minor | 1 | 8A | 115 BPM | ||
Music for Ensemble and Orchestra: II. Eighths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Shaker Loops: III. Loops and Verses | John Adams | G Minor | 2 | 6A | 85 BPM | ||
Coppice | Balanescu Quartet | A Minor | 4 | 8A | 180 BPM | ||
Road Movies: I. Relaxed Groove | John Adams | D Major | 2 | 10B | 112 BPM | ||
October - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | G Major | 0 | 9B | 67 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM |
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