"Missa Pro Defunctis: IX. Comunio" by Joan Cererols, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX was released on June 3, 2013. The duration of Missa Pro Defunctis: IX. Comunio is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Missa Pro Defunctis: IX. Comunio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall, La Capella Reial De Catalunya, Montserrat Figueras, Hespèrion XX's "La Capella Reial de Catalunya - 25th Anniversary" album is number 20 out of 48. On top of that, United States appears to be the country where this track was created. In terms of popularity, Missa Pro Defunctis: IX. Comunio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pro Defunctis: IX. Comunio by Joan Cererols, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offertorium: II. Hostias et preces | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 139 BPM | ||
Missa Salve Diva Parens: I. Kyrie I | Jakob Obrecht, The Sound and the Fury | E Minor | 3 | 9A | 75 BPM | ||
O Bone Jesu | ensemble tresonare | D Minor | 1 | 7A | 106 BPM | ||
Missa in E-Flat Major, Op. 109: I. Kyrie | Josef Rheinberger, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Ach Elslein, liebes Elselein mein II | Ludwig Senfl, Matthias Lucht, Sven Schwannberger, Julian Behr | D Major | 1 | 10B | 119 BPM | ||
Josquin: Missa Gaudeamus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | A♭ Minor | 2 | 1A | 88 BPM | ||
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM |
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