"Let Me Tell You, Pt. I: O but Memory Is Not One but Many" by Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra was released on January 15, 2016. The duration of Let Me Tell You, Pt. I: O but Memory Is Not One but Many is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Let Me Tell You, Pt. I: O but Memory Is Not One but Many's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra's "H. Abrahamsen: Let Me Tell You" album is number 2 out of 7. On top of that, Germany appears to be the country where this track was created. Let Me Tell You, Pt. I: O but Memory Is Not One but Many is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let Me Tell You, Pt. I: O but Memory Is Not One but Many by Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatas for String Quartet: I. Alpha | Brian Ferneyhough, Arditti Quartet | G Minor | 0 | 6A | 176 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Naqoyqatsi | Philip Glass, Matt Haimovits, Dennis Russell Davies, Cincinnati Symphony Orchestra | E♭ Major | 3 | 5B | 155 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Lux aeterna | György Ligeti, Schola Heidelberg, Walter Nußbaum | E♭ Major | 0 | 5B | 79 BPM | ||
Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | C Major | 4 | 8B | 100 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM |
Section: 0.685448169708252
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