"10 Preludes, Op. 23: No. 5 in G Minor (Alla marcia)" by Sergei Rachmaninoff, Vladimir Ashkenazy was released on January 1, 1976. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rachmaninov: Preludes, Op.3 Nos. 2, 23 & 32". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 10 Preludes, Op. 23: No. 5 in G Minor (Alla marcia)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 10 Preludes, Op. 23: No. 5 in G Minor (Alla marcia) by Sergei Rachmaninoff, Vladimir Ashkenazy having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) | Erik Satie, Aldo Ciccolini/Gabriel Tacchino | G Minor | 5 | 6A | 135 BPM | ||
12 Etudes, Op. 8: No. 11 in B-Flat Minor | Alexander Scriabin, Vladimir Ashkenazy | D♭ Minor | 2 | 12A | 78 BPM | ||
12 Études, Op. 10: No. 12 in C Minor "Revolutionary" | Frédéric Chopin, Vladimir Ashkenazy | D♭ Major | 2 | 3B | 68 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM | ||
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
Ravel: Menuet antique, M. 7 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 71 BPM |
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