"Homer Goes Upstairs" by London Philharmonic Orchestra, Franco Collura was released on June 27, 2013. Homer Goes Upstairs is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Best Years of Our Lives (Original Soundtrack) [1946]". In this album, this song's track order is #8. In terms of popularity, Homer Goes Upstairs is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Homer Goes Upstairs by London Philharmonic Orchestra, Franco Collura having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets Suite, Op. 32: Jupiter | Gustav Holst, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 172 BPM | ||
La Vita è bella (Life is Beautiful) Suite: II. Grand Hotel Fox Trot | Nicola Piovani, Dirk Brossé, London Philharmonic Orchestra | D Minor | 3 | 7A | 91 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: I. Allegro | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | A♭ Major | 2 | 4B | 87 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Theme | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Hymn | Karl Jenkins, Adiemus, London Philharmonic Orchestra, Miriam Stockley | F Major | 1 | 7B | 95 BPM | ||
The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 137 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM |
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