Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo)
Hector Berlioz, Boston Symphony Orchestra, Seiji Ozawa
Seiji Ozawa 101 Your Best Tunes
4:01 2010
BPM
92
Key
G Minor
Camelot
6A

Embed

Share Link

Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) - Hector Berlioz, Boston Symphony Orchestra, Seiji Ozawa Information

Acousticness
90%
Danceability
40%
Energy
33%
Instrumentalness
93%
Liveness
7%
Loudness
74%
Speechiness
5%
Valence
34%
Popularity
Loudness
-15.682 dB

Summary

Hector Berlioz, Boston Symphony Orchestra, Seiji Ozawa's 'Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo)' came out on 2010. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 101 in the song's album "Seiji Ozawa 101 Your Best Tunes". In this album, this song's track order is #9. In terms of popularity, Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) BPM

With Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) by Hector Berlioz, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Symphony No. 1, Op. 25 in D Symphony No. 1, Op. 25 in D "Classical": Allegro con brioSergei Prokofiev, Yuri TemirkanovE Minor09A99 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineF Minor24A117 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 2 (Arr. E. Guiraud): III. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE♭ Major05B76 BPM
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai by Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanSymphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assaiJohannes Brahms, Berliner Philharmoniker, Herbert von KarajanC Major08B83 BPM
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament)Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanG Minor16A135 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A81 BPM
Orfeo ed Euridice: Overtura by Christoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterOrfeo ed Euridice: OverturaChristoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterG Major29B76 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo by Antonín Dvořák, Berliner Philharmoniker, Rafael KubelíkSymphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppoAntonín Dvořák, Berliner Philharmoniker, Rafael KubelíkG Major29B141 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagioCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineA♭ Major14B118 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1698119640350342

End: 1.173520803451538