"Also Sprach Zarathustra (2001 Theme)" by London Symphony Orchestra was released on September 28, 2018. With Also Sprach Zarathustra (2001 Theme) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Firelight 20 Classical Masterpieces by London Symphony Orchestra. Also Sprach Zarathustra (2001 Theme) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Also Sprach Zarathustra (2001 Theme) by London Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
Spanish Dances, Op. 12, Book 1: No. 1 in C major | Moritz Moszkowski, London Symphony Orchestra, Ataúlfo Argenta | C Major | 2 | 8B | 107 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
Romeo and Juliet, Op. 64, Act I: Dance of the Knights | Sergei Prokofiev, Jukka-Pekka Saraste, Toronto Symphony Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Glow-worm (Gavotte Pavlova) | Paul Lincke, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 118 BPM | ||
Symphony No. 6 in F Major, Op. 68 "The Pastoral": I. Allegro ma non troppo | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | F Major | 0 | 7B | 83 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM |
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