Herbert Fromm, Harold Orbach, Rochester Singers, Aaron Miller, Samuel Adler's 'Anim Z'mirot' had a release date set for August 7, 2015. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Samuel Adler, Kenneth Davis, Neil Levin, Timothy Koch's "Milken Archive Digital Vol. 4 Album 9: Cycle of Life in Synagogue & Home – Sabbath Day" album is number 21 out of 23. The popularity of Anim Z'mirot is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Anim Z'mirot by Herbert Fromm, Harold Orbach, Rochester Singers, Aaron Miller, Samuel Adler to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Twelve Brigands | Traditional, St.Petersburg Chamber Choir, Nikolai Korniev, Tim Storms | G Major | 0 | 9B | 97 BPM | ||
The Armed Man - A Mass For Peace: III. Kyrie | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Mot Kveld, Op. 42 No. 7 | Agathe Backer Grøndahl, Sølvguttene | D♭ Major | 1 | 3B | 75 BPM | ||
Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | E Minor | 3 | 9A | 174 BPM | ||
The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | ||
Songs on One Page, H. 294: No. 1, Rosička | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 77 BPM | ||
Magnificat: No. 6, Esurientes implevit | Clive Osgood, London Mozart Players, Amy Carson, Robert Lewis | E Minor | 2 | 9A | 104 BPM | ||
Starlight, Starbright | Masayoshi Soken | A Major | 4 | 11B | 80 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Now the Green Blade Rises | The National Lutheran Choir | F Minor | 0 | 4A | 88 BPM |