Charlotte Hoather, George Todica made "Haugtussa, Op. 67: VI. Killingdans" available on April 11, 2017. With Haugtussa, Op. 67: VI. Killingdans being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charlotte Hoather, George Todica's "Haugtussa" album is number 6 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Haugtussa, Op. 67: VI. Killingdans is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Haugtussa, Op. 67: VI. Killingdans by Charlotte Hoather, George Todica to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: No. 6, Esurientes implevit | Clive Osgood, London Mozart Players, Amy Carson, Robert Lewis | E Minor | 2 | 9A | 104 BPM | ||
Die Fledermaus: Act I: Duettino: Ach, ich darf nicht hin zu ihr (Rosalinde, Adele) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Puts: The Hours, Act 2: "Happy My Birthday!" (Dan, Richie, Walter, Sally, Louis, Clarissa, Virginia, Leonard, Laura) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Denyce Graves, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Renée Fleming, Sean Panikkar, Tony Stevenson, William Burden, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
5 Lieder: No. 3. Laue Sommernacht | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | A Major | 0 | 11B | 73 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | A Major | 0 | 11B | 72 BPM | ||
Let the Florid Music Praise | Charlotte Hoather, George Todica | D Major | 2 | 10B | 91 BPM | ||
19 Polish Songs, Op. 74: No. 2. Wiosna | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
O Waly Waly | Charlotte Hoather | A Major | 2 | 11B | 85 BPM |
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