- BPM
- 36
- Key
- D♭ Minor
- Camelot
- 12A
La Traviata, Teil 18 - La Traviata Information
- Acousticness
- 60%
- Danceability
- 73%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 53%
- Speechiness
- 95%
- Valence
- 68%
- Popularity
- 2%
- Loudness
- -28.293 dB
Summary
La Traviata made "La Traviata, Teil 18" available on January 7, 2014. With La Traviata, Teil 18 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in La Traviata's "La Traviata (Hörspiel)" album is number 18 out of 28. La Traviata, Teil 18 is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
La Traviata, Teil 18 BPM
We consider the tempo marking of La Traviata, Teil 18 by La Traviata to be Grave (very slow) because the track has a tempo of 36 BPM, a half-time of 18BPM, and a double-time of 72 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
La Traviata, Teil 18 Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | |
 | Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | |
 | Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | |
 | Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | |
 | Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | |
 | Porgy and Bess: Act I Scene 1: Summertime | George Gershwin, Andrew Litton, Cynthia Haymon, Dallas Symphony Chorus, Dallas Symphony Orchestra | E Major | 1 | 12B | 62 BPM | |
 | Die Zauberflöte, K.620 / Act 1: O zittre nicht...Ist's auch denn Wirklichlkeit | Wolfgang Amadeus Mozart, Cristina Deutekom, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 126 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | |
 | Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | |
 | Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7452669143676758
End: 0.7497820854187012