"Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus)" by Edward Elgar, Anthony Rolfe Johnson/Catherine Wyn-Rogers/Michael George/Royal Liverpool Philharmonic Choir/Huddersfield Choral Society/Ian Tracey/Royal Liverpool Philharmonic Orchestra/Brian Kay/Vernon Handley/Stephen Disley/Malcolm Stewart, Anthony Rolfe Johnson, Huddersfield Choral Society, Royal Liverpool Philharmonic Choir, Stephen Disley, Vernon Handley, Royal Liverpool Philharmonic Orchestra had its release date on 2002. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 31 in Elgar The Dream of Gerontius . Walton Belshazzar's Feast by Vernon Handley, James Loughran. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus) by Edward Elgar, Anthony Rolfe Johnson/Catherine Wyn-Rogers/Michael George/Royal Liverpool Philharmonic Choir/Huddersfield Choral Society/Ian Tracey/Royal Liverpool Philharmonic Orchestra/Brian Kay/Vernon Handley/Stephen Disley/Malcolm Stewart, Anthony Rolfe Johnson, Huddersfield Choral Society, Royal Liverpool Philharmonic Choir, Stephen Disley, Vernon Handley, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM |