Giovanni Antonio Guido, Dorothee Oberlinger made "Scherzi Armonici sopra le quattro stagioni, L'Hyver: V. Allegro. Les riantes fétes" available on November 4, 2022. The duration of Scherzi Armonici sopra le quattro stagioni, L'Hyver: V. Allegro. Les riantes fétes is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Scherzi Armonici sopra le quattro stagioni, L'Hyver: V. Allegro. Les riantes fétes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Pastorale". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, Scherzi Armonici sopra le quattro stagioni, L'Hyver: V. Allegro. Les riantes fétes's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Scherzi Armonici sopra le quattro stagioni, L'Hyver: V. Allegro. Les riantes fétes by Giovanni Antonio Guido, Dorothee Oberlinger having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B-Flat Major, Op. 1, No. 4: I. Presto | John Garth, Richard Tunnicliffe, The Avison Ensemble, Pavlo Beznosiuk | A Major | 3 | 11B | 73 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso | Arion Ensemble | A♭ Major | 0 | 4B | 116 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 4: I. Largo e staccato | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 143 BPM | ||
Concerto per violino in si bemolle maggiore in B-Flat Major: III. Allegro | Giovanni Battista Pergolesi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Sonata, No. 2 in A Minor, BWV 1003: III. Andante (Arr. For String Quartet) | Johann Sebastian Bach, Brodsky Quartet | C Major | 0 | 8B | 116 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Concerto grosso in D Major, op. 8, No. 12 (Ed. G. Sechi): III. Allegro | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | A♭ Major | 2 | 4B | 141 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 127 BPM |
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