Jean Sibelius, Helsingfors gosskör, Ekenäs gosskör, Akademiska Sångföreningen, Minervaskolans musikklasskör, Folke Gräsbeck, Harri Viitanen, Henrik Wikström's '3 Songs for Chorus, Op. 31: No. 3, Atenarnes sång' came out on September 1, 2015. The duration of 3 Songs for Chorus, Op. 31: No. 3, Atenarnes sång is about 3 minutes long, at 3:23. Based on our data, "3 Songs for Chorus, Op. 31: No. 3, Atenarnes sång" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 171 in the song's album "The Sibelius Edition, Vol. 11: Choral Music". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. In terms of popularity, 3 Songs for Chorus, Op. 31: No. 3, Atenarnes sång is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With 3 Songs for Chorus, Op. 31: No. 3, Atenarnes sång by Jean Sibelius, Helsingfors gosskör, Ekenäs gosskör, Akademiska Sångföreningen, Minervaskolans musikklasskör, Folke Gräsbeck, Harri Viitanen, Henrik Wikström having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
6 Bagatelles for Piano, Op. 97: Impromptu, No. 5 | Jean Sibelius, Leif Ove Andsnes | B♭ Major | 0 | 6B | 108 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM |
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