"4 Lieder, Op. 27, TrV 170: No. 4. Morgen" by Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shiego Genda was released on September 30, 1998. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Yoshikazu Mera's "Mendelssohn / Handel / Bach, J.S. / Strauss, R.: Songs for Counter-Tenor and Orchestra" album is number 4 out of 13. 4 Lieder, Op. 27, TrV 170: No. 4. Morgen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Lieder, Op. 27, TrV 170: No. 4. Morgen by Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shiego Genda to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Elektra: Viii. Die Götter | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunilla Söderström, Carina Morling, Eva Pilat, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Der Rosenkavalier op. 59: Hab nichts dawider | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Emanuel List, Rise Stevens, Erna Berger, Paul Franke, Thelma Votipka | F Major | 4 | 7B | 132 BPM | ||
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM |
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