"Sieben Frühe Lieder: I. Nacht" by Alban Berg, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #10 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Sieben Frühe Lieder: I. Nacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sieben Frühe Lieder: I. Nacht by Alban Berg, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sieben Frühe Lieder: I. Nacht being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
Violin Concerto, Op. 30: II. Adagio per 22 solisti | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': II. Con moto | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 78 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
Mass No. 1 in D Minor, WAB 26: Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Verklärte Nacht, Op. 4: I. Sehr langsam | Arnold Schoenberg, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Danusha Waskiewicz, Jean-Guihen Queyras, Christian Poltera | D Minor | 1 | 7A | 82 BPM | ||
Il tabarro, SC 85: Introduzione | Giacomo Puccini, Dresdner Philharmonie, Marek Janowski | A Major | 0 | 11B | 202 BPM | ||
Lulu / Act 2: "Gott sei dank, dass wir endlich" ... "Hast oben abgeschlossen?" | Alban Berg, Teresa Stratas, Hanna Schwarz, Helmut Pampuch, Toni Blankenheim, Gerd Nienstedt, Orchestre de l'Opéra de Paris, Pierre Boulez | A Minor | 1 | 8A | 104 BPM | ||
The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | A♭ Major | 0 | 4B | 64 BPM |
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