Hca - Jakob Händel, Sebastian Stein, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Jirí Malát made "Divertimento In D Major Kv 205: Finale Presto" available on March 28, 2007. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Burkhard Glaetzner's "Mozart Edition Volume 22" album is number 5 out of 77. Based on our statistics, Divertimento In D Major Kv 205: Finale Presto's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Divertimento In D Major Kv 205: Finale Presto by Hca - Jakob Händel, Sebastian Stein, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Jirí Malát to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Overture in D Major, Op. 8, No. 4: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 96 BPM | ||
Symphonie concertante in F Major, W. C38: I. Allegro | Johann Christian Bach, Lajos Lencsés, Emilia Csanky, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 133 BPM | ||
Sinfonia concertante in E-Flat Major, K. 297b: IIIk. Var. X | Wolfgang Amadeus Mozart, John Anderson, Michael Collins, Richard Watkins, Meyrick Alexander, Philharmonia Orchestra, Giuseppe Sinopoli | E Major | 2 | 12B | 144 BPM | ||
Symphonie concertante in C Major, W. C36a: III. Allegro | Johann Christian Bach, Janos Balint, Lajos Lences, Bela Banfalvi, Karoly Botvay, Budapest Strings | F Major | 2 | 7B | 88 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 3 D Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM |
Section: 0.796964168548584
End: 0.8014829158782959