"Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto" by Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam was released on May 3, 2024. Since Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 38 in Beethoven: The Complete Symphonies by Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto by Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 19 in G Minor, Op. 49 No. 1 - II. Rondo (Allegro) | Famous Classic Piano | A Minor | 4 | 8A | 96 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 5 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 60 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major, WoO 1: I. Allegro con spirito | Johann Nepomuk Hummel, Lucienne Renaudin Vary, Michael Sanderling, Luzerner Sinfonieorchester | D Major | 2 | 10B | 160 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Sonata in A Minor, H. 247: I. Allegro | Carl Philipp Emanuel Bach, Marc-André Hamelin | A Minor | 2 | 8A | 73 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM | ||
Sonatina in G Major: II. Allegro | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3) | Franz Liszt, Joseph Banowetz | F Major | 1 | 7B | 125 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM |
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