Candide / Act I: 15. Quartet Finale - Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra Information

Acousticness: 97%
Danceability: 22%
Energy: 28%
Instrumentalness: 0%
Liveness: 8%
Loudness: 79%
Speechiness: 4%
Valence: 11%
Popularity: 9%
Loudness: -12.399 dB

Summary

"Candide / Act I: 15. Quartet Finale" by Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 15. Quartet Finale is about 3 minutes long, at 3:24. Based on our data, "Candide / Act I: 15. Quartet Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Candide / Act I: 15. Quartet Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Candide / Act I: 15. Quartet Finale BPM

The tempo marking of Candide / Act I: 15. Quartet Finale by Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.

Candide / Act I: 15. Quartet Finale Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
On The Town: 16. Ya Got Me - Live	Leonard Bernstein, Frederica von Stade, Kurt Ollmann, Tyne Daly, David Garrison, London Symphony Orchestra, Michael Tilson Thomas	F Minor	3	4A	91 BPM
Carmina Burana: XVI. Dies, nox et omnia	Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox	D Major	0	10B	93 BPM
The Desert Song / One Alone (From The Desert Song)	Jerry Hadley	A♭ Major	2	4B	84 BPM
Carmina Burana: XXI. In trutina	Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox	D Major	0	10B	170 BPM
When You're Away (From The Only Girl)	Jerry Hadley	F Major	2	7B	87 BPM
4. Oh, false one, you have deceived me	Arthur Sullivan, Christene Palmer, Philip Potter, Royal Philharmonic Orchestra, Isidore Godfrey	G Major	2	9B	71 BPM
Drinking Song (From The Student Prince)	Jerry Hadley, Members of the Harvard Glee Club	A Major	3	11B	203 BPM
Carmen, WD 31 / Act II: "Nous avons en tête une affaire"	Georges Bizet, Colette Boky, Marcia Baldwin, Marilyn Horne, Russell Christopher, Andrea Velis, Metropolitan Opera Orchestra, Leonard Bernstein	F Minor	3	4A	171 BPM
La Traviata / Act 3: "Annina?" - "Comandate?"	Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber	A♭ Major	0	4B	82 BPM
Elektra, Op. 58: "Wo bleibt Elektra?"	Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova	G Major	2	9B	78 BPM

ISRC: DEF058931822
Label: L-M Records/RCA Records

Section: 0.7328109741210938

End: 0.7393996715545654