Requiem in D Minor, K. 626: VI. Benedictus: Benedictus
Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien
Mozart: Requiem
5:20 July 12, 2004
BPM
91
Key
B♭ Major
Camelot
6B

Embed

Share Link

Requiem in D Minor, K. 626: VI. Benedictus: Benedictus - Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien Information

Acousticness
98%
Danceability
19%
Energy
7%
Instrumentalness
0%
Liveness
14%
Loudness
60%
Speechiness
4%
Valence
12%
Popularity
Loudness
-23.708 dB

Summary

"Requiem in D Minor, K. 626: VI. Benedictus: Benedictus" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien was released on July 12, 2004. With this song being about 5 minutes long, at 5:20, "Requiem in D Minor, K. 626: VI. Benedictus: Benedictus" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Requiem" album is number 12 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Requiem in D Minor, K. 626: VI. Benedictus: Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D Minor, K. 626: VI. Benedictus: Benedictus BPM

We consider the tempo marking of Requiem in D Minor, K. 626: VI. Benedictus: Benedictus by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Requiem in D Minor, K. 626: VI. Benedictus: Benedictus Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo MaWiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]Johannes Brahms, Yo-Yo MaE♭ Major05B134 BPM
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe by Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Offertory: I. Domine Jesu ChristeSlovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus MozartG Minor26A91 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto by Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelSymphony for Flute, Oboe, Horn and Strings in D Major: III. PrestoDomenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelD Major110B78 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnPiano Concerto No. 1 in C Major, Op. 11, J. 98: II. AdagioCarl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnA♭ Major04B95 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 2. AdagioWolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerA Major111B56 BPM
Ouverture in D Major, Ouverture in D Major, "Darmstadt": HarlequinadeGeorg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-BruhlD♭ Major13B174 BPM
Carmen Suite No. 1: 1. Prélude by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 1. PréludeGeorges Bizet, Orchestre de Paris, Semyon BychkovA Minor18A96 BPM
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon BakerDer Stein der Weisen, Act I: Chorus and Solo. Welch reizende MusikWolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon BakerE♭ Major25B77 BPM
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach by Franz Schubert, Mischa Maisky, Daria HovoraDie schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der BachFranz Schubert, Mischa Maisky, Daria HovoraG Major09B96 BPM
ISRC
DEE470400105
Label
L-M Records/RCA Records

Section: 0.618065595626831

End: 0.6213295459747314