Domenico Scarlatti, Lore Raus, Pablo Garibay's 'Keyboard Sonata in D Minor, K.213/L.108/P.288 (arr. L. Raus for guitar)' came out on August 2, 2011. Since Keyboard Sonata in D Minor, K.213/L.108/P.288 (arr. L. Raus for guitar) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pablo Garibay's "Guitar Recital: Pablo Garibay" album is number 2 out of 15. In terms of popularity, Keyboard Sonata in D Minor, K.213/L.108/P.288 (arr. L. Raus for guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Keyboard Sonata in D Minor, K.213/L.108/P.288 (arr. L. Raus for guitar) by Domenico Scarlatti, Lore Raus, Pablo Garibay to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Ballade No. 4 in F Minor, Op. 52 | Frédéric Chopin, Khatia Buniatishvili | D♭ Major | 1 | 3B | 51 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Sonata No. 84 in D Major, R;413 | Antonio Soler, Luis Fernando Pérez | D Major | 2 | 10B | 130 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro | Antonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida Thompson | G Minor | 4 | 6A | 141 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM |
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