"Vater Unser (Version for Cello and Piano)" by Arvo Pärt, Camille Thomas, Julien Brocal was released on March 24, 2023. The duration of Vater Unser (Version for Cello and Piano) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Vater Unser (Version for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arvo Pärt, John Tavener, Henryk Górecki's "Holy Minimalism - Tavener, Pärt & Górecki" album is number 32 out of 51. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Vater Unser (Version for Cello and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vater Unser (Version for Cello and Piano) by Arvo Pärt, Camille Thomas, Julien Brocal to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Fratres | Arvo Pärt, Morphing Chamber Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
L'invitation au voyage | Henri Duparc, Camille Thomas, Julien Libeer | A Minor | 1 | 8A | 68 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
24 Preludes for Cello and Piano, Op. 47: Prelude No. 15 (Allegro con brio) | Lera Auerbach, Camille Thomas, Beatrice Berrut | F Minor | 2 | 4A | 133 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM |
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