Saint Petersburg Chamber Orchestra "Canon" , Vasily Popov, Pavel Bubelnikov's 'Cello Concerto No.1 in C major : I. Moderato' came out on January 1, 2012. Since Cello Concerto No.1 in C major : I. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Boccherini, Haydn: Cello Concertos & Divertimento by Saint Petersburg Chamber Orchestra "Canon". Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cello Concerto No.1 in C major : I. Moderato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cello Concerto No.1 in C major : I. Moderato by Saint Petersburg Chamber Orchestra "Canon" , Vasily Popov, Pavel Bubelnikov is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno in E-Flat Major, W. C40: II. Minuetto | Johann Christian Bach, Lajos Lencsés, Emilia Csanky, Karoly Ambrus, Lehel Ronai, Bela Banfalvi, Gyorgi Papp, János Fejérvári, Emil Ludmany, Karoly Botvay, Budapest Strings | D Minor | 1 | 7A | 168 BPM | ||
Concerto in C Minor for Oboe and Strings: I. Introduzione: Larghetto | The St. Petersburg Soloists, Vladimir Kurlin | C Minor | 2 | 5A | 110 BPM | ||
Prince Igor : Polovtsian Dances VI. Presto | Tbilisi Symphony Orchestra, Jansug Kakhidze | B♭ Major | 3 | 6B | 92 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Rimsky-Korsakov Quartet | A Major | 1 | 11B | 104 BPM | ||
Symphony No. 3 in G Major, Hob. I:3: I. Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 1 | 9B | 138 BPM | ||
Symphony in B-Flat Major, F. 30: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | F Minor | 1 | 4A | 90 BPM | ||
Keyboard Concerto No. 13 in F Major, HWV 295, "The Cuckoo and The Nightingale": I. Larghetto | George Frideric Handel, Matthias Kirschnereit, German Chamber Academy Neuss, Lavard Skou Larsen | D Minor | 0 | 7A | 176 BPM | ||
Mozart: Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni. Var. II | Wolfgang Amadeus Mozart, Emmanuel Pahud, François Leleux, Gilbert Audin, Radovan Vlatkovic, Orchestre de chambre de Paris | E♭ Major | 1 | 5B | 80 BPM | ||
Clarinet Concerto in A major, K. 622 : II. Adagio | Saint Petersburg Chamber Orchestra "Canon" , Adil Fedorov, Alexander Titov | D Major | 0 | 10B | 98 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM |
Section: 0.7733893394470215
End: 0.7776961326599121