"Notturno in E-Flat Major, W. C40: II. Minuetto" by Johann Christian Bach, Lajos Lencsés, Emilia Csanky, Karoly Ambrus, Lehel Ronai, Bela Banfalvi, Gyorgi Papp, János Fejérvári, Emil Ludmany, Karoly Botvay, Budapest Strings was released on January 1, 2009. With Notturno in E-Flat Major, W. C40: II. Minuetto being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 44 in Bach, J.C.: Symphonie Concertanti by Johann Christian Bach, Budapest Strings. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Notturno in E-Flat Major, W. C40: II. Minuetto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Notturno in E-Flat Major, W. C40: II. Minuetto by Johann Christian Bach, Lajos Lencsés, Emilia Csanky, Karoly Ambrus, Lehel Ronai, Bela Banfalvi, Gyorgi Papp, János Fejérvári, Emil Ludmany, Karoly Botvay, Budapest Strings is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballad: Ballada (Ballad) | Miklós Sugár, János Fejérvári, Emil Ludmany | E Minor | 1 | 9A | 144 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Variations on a Russian Folk Song - for String Quartet: Variation 10. Finale, Allegro: Sokolov | Nikolai Rimsky-Korsakov, Alexander Scriabin, Kuss Quartet | D Major | 1 | 10B | 133 BPM | ||
Flute Quartet No. 1 in G Major: III. Rondò, allegro | Saverio Mercadante, Mario Carbotta, Mario Hossen, Marta Potulska, Attilia Kiyoko Cernitori | G Major | 1 | 9B | 146 BPM | ||
Amadis de Gaule, W. G39: Act II Scene II: Du, der du hier im Grab nichts bist als nur noch Asche (Arcabonne) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D♭ Major | 0 | 3B | 91 BPM | ||
Quatuor No. 2 en mi bémol majeur: Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Quatuor à Cordes Jean-Noël Molard, Jean-Pierre Lacour, Jacques Watelle, Robert Duval | E♭ Major | 2 | 5B | 133 BPM | ||
Violin Sonata No. 6 in A Major, Op. 30 No. 1: I. Allegro | Ludwig van Beethoven, Viktoria Mullova, Alasdair Beatson | D Major | 1 | 10B | 79 BPM | ||
When Crossing the Wilderness SHZ 469 | Laestadian Lutheran Church, Kaitlyn Huhta, Katja Vaatainen, Ashley Niemela | F Major | 0 | 7B | 76 BPM | ||
Theme and Variations in F Major, Op. 97: Variation II | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM |
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