- BPM
- 135
- Key
- D♭ Major
- Camelot
- 3B
January Writ - Thomas Adès, Stephen Layton/Polyphony/Christopher Bowers-Broadbent Information
- Acousticness
- 97%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 85%
- Liveness
- 34%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 1%
- Loudness
- -26.417 dB
Summary
"January Writ" by Thomas Adès, Stephen Layton/Polyphony/Christopher Bowers-Broadbent was released on February 24, 2004. January Writ is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 6 out of 15 in America by Thomas Adès. Based on our statistics, January Writ's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
January Writ BPM
The tempo marking of January Writ by Thomas Adès, Stephen Layton/Polyphony/Christopher Bowers-Broadbent is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
January Writ Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | DANCE: IV. in your blood | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | C Major | 3 | 8B | 68 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Langsamer Satz | Anton Webern, Novus Quartet | E♭ Major | 1 | 5B | 90 BPM | |
 | Adès: Under Hamelin Hill, Op. 6: Preambulum | Thomas Adès, David Goode, Stephen Farr | G Major | 0 | 9B | 138 BPM | |
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | |
 | 3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | |
 | Sonata for Cello and Piano G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Jonathan Swensen, Filip Štrauch | D Minor | 0 | 7A | 95 BPM | |
 | Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6615340709686279
End: 0.6657657623291016