"Te decet laus (Conclusion of the Matins)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. With Te decet laus (Conclusion of the Matins) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 1 out of 63. On top of that, United States appears to be the country where this track was created. Based on our statistics, Te decet laus (Conclusion of the Matins)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te decet laus (Conclusion of the Matins) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dancing Master: Greensleeves | John Playford, The Broadside Band, Jeremy Barlow | F Major | 0 | 7B | 182 BPM | ||
Ostinato vos seguire | Bartolomeo Tromboncino, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 87 BPM | ||
Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Heruvimska pesma | Divna Ljubojević | A Minor | 2 | 8A | 112 BPM | ||
Beautiful Savior (Arr. M. Wilberg) | Mack Wilberg, Traditional, BYU Men's Chorus | E Major | 1 | 12B | 130 BPM | ||
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Les Chansons Des Roses: I. En Une Seule Fleur | The Singers - Minnesota Choral Artists | D♭ Major | 1 | 3B | 131 BPM |
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