"Valses, Op. 64: No.2 in C Sharp Minor. Tempo giusto" by Frédéric Chopin, Pascal Amoyel was released on February 23, 2015. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in Chopin: 1846, dernière année à Nohant by Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel. Valses, Op. 64: No.2 in C Sharp Minor. Tempo giusto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Valses, Op. 64: No.2 in C Sharp Minor. Tempo giusto by Frédéric Chopin, Pascal Amoyel is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Waltz No.7 in C sharp minor, Op.64, No.2 | Frédéric Chopin, Vladimir Ashkenazy | D♭ Minor | 1 | 12A | 168 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Major | 3 | 9B | 92 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Ivo Pogorelich | D♭ Major | 0 | 3B | 67 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31 | Frédéric Chopin, Simon Trpčeski | D♭ Major | 1 | 3B | 131 BPM |
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