"Four Nocturnes, for Cello and Piano, H. 189: II. Lento" by Bohuslav Martinu, Michal Kanka, Jaromir Klepac was released on January 1, 2001. Since Four Nocturnes, for Cello and Piano, H. 189: II. Lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 21 in Bohuslav Martinů: Small Pieces for Cello and Piano by Bohuslav Martinů, Michal Kanka, Jaromir Klepac. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Four Nocturnes, for Cello and Piano, H. 189: II. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Nocturnes, for Cello and Piano, H. 189: II. Lento by Bohuslav Martinu, Michal Kanka, Jaromir Klepac is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant IV. L'istesso tempo | Ralph Vaughan Williams, London Philharmonic Orchestra, Vernon Handley | A♭ Major | 0 | 4B | 83 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Piano Concerto No. 1 "Scapegoat": Molto lento | George Lloyd, Martin Roscoe, BBC Philharmonic | A Minor | 1 | 8A | 85 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai (Arr. for Viola & Piano) | Robert Schumann, Timothy Ridout, Frank Dupree | D♭ Major | 0 | 3B | 99 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Martinu: Symphony No. 4, H. 305: IV. Poco allegro | Bohuslav Martinů, Walter Weller/Royal Liverpool Philharmonic Orchestra, Walter Weller, Royal Liverpool Philharmonic Orchestra | F Major | 2 | 7B | 115 BPM | ||
The Tempest: Suite No. 2, Op. 109: V. Song I and II | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Symphony No. 1 in G Minor, Op. 7: III. Allegro comodo | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 130 BPM |
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