"3 Morceaux en forme de poire, IES 38: 1. Manière de commencement" by Erik Satie, Robert Casadesus, Gaby Casadesus was released on 1949. The duration of 3 Morceaux en forme de poire, IES 38: 1. Manière de commencement is about 3 minutes long, at 3:04. Based on our data, "3 Morceaux en forme de poire, IES 38: 1. Manière de commencement" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 204 in Erik Satie & Friends by Erik Satie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, 3 Morceaux en forme de poire, IES 38: 1. Manière de commencement is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 3 Morceaux en forme de poire, IES 38: 1. Manière de commencement by Erik Satie, Robert Casadesus, Gaby Casadesus is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | G Major | 0 | 9B | 91 BPM | ||
Cinq Grimaces pour le songe d'une nuit d'été: V. Pour sortir | Erik Satie, Olga Scheps | B♭ Major | 1 | 6B | 116 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Liszt - Liebestraume No.3 | Brodin Ray | A♭ Major | 1 | 4B | 63 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM |
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