"Peer Gynt, Op. 23: XI. Solveigs Sang (Solveig's Song)" by Kari Lövaas, Berliner Symphoniker was released on December 23, 2008. With this song being about 5 minutes long, at 4:49, "Peer Gynt, Op. 23: XI. Solveigs Sang (Solveig's Song)" by Kari Lövaas, Berliner Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kari Lövaas's "Kari Lövaas sings Grieg, Strauss and Sibelius" album is number 5 out of 19. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Peer Gynt, Op. 23: XI. Solveigs Sang (Solveig's Song) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt, Op. 23: XI. Solveigs Sang (Solveig's Song) by Kari Lövaas, Berliner Symphoniker to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse / Act 1: "Ombra mai fù" | George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page | F Major | 1 | 7B | 70 BPM | ||
Handel: Messiah, HWV 56, Part 3: I know that my Redeemer liveth (Soprano) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Sangen, Symphonic Cantata, Op. 44: 1. Interlude. Molto adagio, solenne | Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 79 BPM | ||
War Requiem Op. 66: Quam olim Abrahae promisisti | Benjamin Britten, MDR Leipzig Radio Chorus, Dresdner Philharmonie, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam, Anthony Roden | E Minor | 0 | 9A | 126 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 103 BPM | ||
Samson et Dalila, Mon Coeur s'ouvre à ta Voix, (De "Los Puentes de Madison County") | Prague Opera OrchestrPrague Opera Orchestra | G Minor | 0 | 6A | 117 BPM | ||
Suite from "The Gadfly", Op. 97a: VIII. Romance | Ivan Peev, Sofia Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
Mozart: Horn Concerto No. 1 in D major K412, vol.1 | CHA Medical Center | D Major | 2 | 10B | 115 BPM | ||
Violin Concerto in D Major, Op. 61 (Cadenzas by Vasa Prihoda): III. Rondo (Allegro) | Ludwig van Beethoven, Alexander von Pitamic, Southgerman Philharmonic Orchestra, Ivan Czerkov | D Major | 1 | 10B | 82 BPM | ||
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM |
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