"Serse / Act 1: "Ombra mai fù"" by George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page was released on January 1, 2003. The duration of Serse / Act 1: "Ombra mai fù" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Serse / Act 1: "Ombra mai fù"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Heavenly Adagios" album is number 13 out of 27. Serse / Act 1: "Ombra mai fù" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse / Act 1: "Ombra mai fù" by George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Finlandia, Op. 26 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
Suite for Strings after 12 Violin Sonatas, Op. 5: III. Badinerie. Vivace | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | D♭ Minor | 2 | 12A | 145 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Orchestra Of The 18th Century, Frans Brüggen | E Major | 3 | 12B | 105 BPM | ||
Symphony No.1 in B flat Major: 2. Moderato e dolce | William Boyce, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 88 BPM | ||
Zipoli : Adagio | Domenico Zipoli, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | F Major | 1 | 7B | 103 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM |
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